Shake that ass bitch and let me see whatcha gotJust shake that ass bitch and let me see whatcha gotJust shake that ass bitch and let me see whatcha gotJust shake that ass bitch and let me see whatcha gotJust shake that ass bitch and let me see whatcha got
Shake That Ass Booty Bass
Download Zip: https://ssurll.com/2vAcTu
No bodyCome in girl step to the frontNow make that ass ho jumpKill money like to get buttSo come in girl cuz your body get funkSplack pack be rockin itAll the hoes ji-joggin itKill money be rockin itFo real don't so lets go, uhI wanna see you sweat trapSo get in my face and make that ass clapG-strings from the back, just shake that ass for the splack pack
So now you know what time it isI knew its when one time fo' thatSay, day in the houseSplack pack came and turn it outThis one's for the booty shakeI wanna see it all no fakeCuz kill money's on the beans freakSo open up and let me take a peekBend all over now touch yo toeGrab da pole let me see that push, yoYeah, like thatJust shake that ass for the splack pack
Uh, I kinda like what I seeBut you gotta shake for this moneyOne time for my dogs in the pipeMy niggas from the bottom down with the splackSo drop it down if you wit itDon't stop just get it get itLet pump the back upShake them titties, now make that pussy jumpNow bend ya ass all overSpread it wide let a nigga get on yaI'm comin straight up the backKill money down with the splack pack
10. Splack Pack. "They had 'Shake That Ass,' 'Scrub Da Ground,' 'Let Me See You Work It,'" Pulles recalls. "They were from West Palm Beach, but they really represented that Miami bass sound hard for South Florida."
9. Maggotron. The legend known as Maggotron, AKA James McCauley, is the prototypical electronic home producer, the Bassnectar of his day. Starting with 1983's Computer Funk, he has released a massive array of independent bass music under a series of assumed identities that sampled from a wide variety of sources. His signature sound is a mix of electro beats, rock guitars, and vocals.
7. Clay D. "He was a producer and actually the guy who discovered Magic Mike, who is something like one of the most successful independent hip-hop artists of all time. He produced everyone from Raheim to Magic Mike to the Get Fresh Girls. And he's a Miami guy. He also made his own music. He had 'Boot the Booty.' You know 'Boot-b-boot-b-b-b-boot that booty.' That's Clay Dixon."
4. DJ Laz. "Being from Miami," Pulles says, "he was a pioneer on the radio and did a lot to get local and bass music on Power 96. He eventually became an artist himself alongside Danny D, 'The Voice From the Bottom.' And Laz is still to this day very active. He really put that Latin flavor into Miami bass. As a Cuban kid growing up in Miami, he was a hero to me for playing this music that I loved."
1. 2 Live Crew. "To me," Pulles insists, "the 2 Live Crew with all four members is the ultimate in Miami booty bass. They're really important, because I kind of call 'em the architects of the sound. That up-tempo 808 bass-heavy music and the dirty rhymes and chants from Luke is kinda like the blueprint. The sound, the up-tempo beats, the bass, the chants, and the Miami pride is what makes 2 Live Crew the greatest."
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Canopus, Machine Learning, Brandy & Monica - The Boy is Mine (Fourtwenty Sound Bootleg), Bringin' Vibes, Shake Dat, Juicy Thing, Wiz Khalifa - Work Hard, Play Hard (Fourtwenty Sound Bootleg) Remastered, Freebies Vol.1, and 22 more. , and , . Purchasable with gift card Buy Digital Discography $25 USD or more (40% OFF) Send as Gift about Shake dat booty, shake dat ass $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); lyrics Shake dat booty, shake dat ass $(".lyricsText").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); credits released June 18, 2022 Written, mixed and mastered by Jonathan Mendoza $(".tralbum-credits").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); license all rights reserved tags Tags 160 bass music bass music. big booty bass booty booty bass bootybass breaks drum & bass electronic footwork juke tropical bass Bogotá Shopping cart total USD Check out about Fourtwenty Sound Bogotá, Colombia
AllMusic wrote a mixed opinion: "sex song that finds Shady sounding as if he's drifting along in his own orbit. "Shake That" has an incongruous Nate Dogg crooning the chorus."[4] Pitchfork thinks that this song is just another "lesser version of Eminem songs that already piss me (critic) off."[5] IGN called it a "rump mover" and wrote a positive review: "a booty shaker, again showing promise in Em's production. It's still a pretty simple bump-n-shuffle number, but it swings with a sense of upbeat minimalism and takes his trademark dark sounds into a slightly lighter venue."[6] Sputnik Music wasn't satisfied: "Shake That features Nate Dogg, and is the quintessential club banger". Rolling Stone called this song a "Nate Dogg throwaway".[7]
Reinterpreted time and time again by electronic music producers well into the 2000s, Freak Nasty's single 'Da Dip' is a '90s dancefloor classic. Produced in Atlanta in 1996, the track is not a true blue Miami bass tune per se, but it drew heavily from the flow and style that was born out of Florida years earlier. The single reached platinum in 1997 after selling over 1 million copies. 2ff7e9595c
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